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    <title>The Queen's Film Society upcoming events</title>
    <link>https://www.thequeensfilmsociety.org/</link>
    <description>The Queen's Film Society upcoming events</description>
    <dc:creator>The Queen&amp;#39;s Film Society</dc:creator>
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    <pubDate>Fri, 03 Jul 2026 21:22:51 GMT</pubDate>
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    <item>
      <pubDate>Wed, 08 Jul 2026 00:00:00 GMT</pubDate>
      <title>Tokyo Drifter (Seijun Suzuki, 1966) (7 Jul 2026)</title>
      <description>&lt;p style="margin: 0in 0in 0px; line-height: 18.4px; font-family: Aptos, sans-serif; color: rgb(0, 0, 0);" align="center"&gt;&lt;font style="font-size: 16px;"&gt;&lt;img src="https://thequeensfilmsociety.org/resources/Pictures/BVEF/TD.jpeg" alt="" title="" border="0"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="margin: 0in 0in 0px; line-height: 18.4px; font-family: Aptos, sans-serif; color: rgb(0, 0, 0);"&gt;&lt;font face="Helvetica" style="font-size: 16px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="margin: 0in 0in 0px; line-height: 18.4px; font-family: Aptos, sans-serif;"&gt;&lt;font face="Helvetica" color="#0D1418" style="font-size: 16px;"&gt;&lt;em&gt;Tokyo Drifter&lt;/em&gt; (Seijun Suzuki, Japan 1966)&lt;/font&gt;&lt;/p&gt;

&lt;p data-start="74" data-end="646" style=""&gt;&lt;font face="Helvetica" color="#0D1418" style="font-size: 16px;"&gt;&lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;font&gt;In this jazzy gangster film, reformed killer Tetsu’s attempt to go straight is thwarted when his former cohorts call him back to Tokyo to help battle a rival gang. Director Seijun Suzuki’s onslaught of stylized violence and trippy colors is equal parts Russ Meyer, Samuel Fuller, and Nagisa Oshima—an anything-goes, in-your-face rampage.&lt;/font&gt;&lt;/span&gt; &lt;em&gt;&lt;font&gt;Tokyo Drifter&lt;/font&gt;&lt;/em&gt; &lt;span style="background-color: rgb(255, 255, 255);"&gt;&lt;font&gt;is a delirious highlight of the brilliantly excessive Japanese cinema of the sixties.&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="margin: 0in 0in 0px; line-height: 18.4px; font-family: Aptos, sans-serif;"&gt;&lt;span style=""&gt;&lt;font face="Helvetica" color="#0D1418" style="font-size: 16px;"&gt;"Seijun Suzuki, prominent B-film director, channels all his quirks and influences with cool effectiveness into this gem of a yakuza film.&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style="margin: 0in 0in 0px; line-height: 18.4px; font-family: Aptos, sans-serif;"&gt;&lt;span style=""&gt;&lt;font face="Helvetica" color="#0D1418" style="font-size: 16px;"&gt;FILM COMPANION&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style="margin: 0px 0in; line-height: 18.4px; font-family: Aptos, sans-serif;"&gt;&lt;span style=""&gt;&lt;font face="Helvetica" color="#0D1418" style="font-size: 16px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style="line-height: 18px; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Helvetica" style="font-size: 16px;"&gt;&lt;span style="background-color: white;"&gt;&lt;font color="#1A1A1A"&gt;“A &lt;em&gt;yakuza&lt;/em&gt; flick turned up to 11… A violent blast of cinematic disorder.&lt;/font&gt;&lt;/span&gt;”&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 18px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;span style=""&gt;TIME OUT&lt;/span&gt;&lt;/p&gt;

&lt;p style="font-size: 12pt; margin-right: 0in; margin-bottom: 0px; margin-left: 0in; line-height: 18.4px; font-family: Aptos, sans-serif; color: rgb(0, 0, 0); margin-top: 0px !important;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;font face="Helvetica"&gt;&lt;br&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style="font-size: 12pt; margin: 0px 0in 8pt; line-height: 18.4px; font-family: Aptos, sans-serif; color: rgb(0, 0, 0);"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;br&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style="font-size: 12pt; margin: 0in 0in 8pt; line-height: 18.4px; font-family: Aptos, sans-serif; color: rgb(0, 0, 0);"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://www.criterionchannel.com/videos/tokyo-drifter-trailer" target="_blank"&gt;Trailer&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/p&gt;</description>
      <link>https://thequeensfilmsociety.org/event-6718207</link>
      <guid>https://thequeensfilmsociety.org/event-6718207</guid>
      <dc:creator />
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    <item>
      <pubDate>Wed, 15 Jul 2026 00:00:00 GMT</pubDate>
      <title>The Square (Ruben Östlund, 2017) (14 Jul 2026)</title>
      <description>&lt;p style="margin: 0in 0in 0px; line-height: 18.4px; font-size: 12pt; font-family: Aptos, sans-serif; color: rgb(0, 0, 0);" align="center"&gt;&lt;img src="https://thequeensfilmsociety.org/resources/Pictures/BVEF/MV5BNTQ3NzJhYjktYmRkYy00ODMxLThhMGItYWQyODJmZjEyMTgzXkEyXkFqcGc@._V1_FMjpg_UX1000_.jpg" alt="" title="" border="0"&gt;&lt;br&gt;&lt;/p&gt;

&lt;p style="margin: 0in 0in 0px; line-height: 18.4px; font-size: 12pt; font-family: Aptos, sans-serif; color: rgb(0, 0, 0);"&gt;&lt;br&gt;&lt;/p&gt;

&lt;p style="margin: 0in 0in 0px; line-height: 18.4px; font-family: Aptos, sans-serif; color: rgb(0, 0, 0);"&gt;&lt;strong style=""&gt;&lt;font style="font-size: 18px;"&gt;&lt;em style=""&gt;The Square&lt;/em&gt; (Ruben Östlund, Sweden 2017)&lt;/font&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p style="line-height: 18px;"&gt;&lt;font color="#000000" face="Aptos, sans-serif" style="font-size: 16px;"&gt;The curator of an art museum in Stockholm finds his life spinning out of control after he decides to hunt down the thieves who stole his cell phone. Meanwhile, his museum hosts an exhibit about kindness in everyday life in this caustic comedy that won the Palme d’or at the 2017 Cannes Film Festival and cemented&amp;nbsp;Ruben Östlund (&lt;em&gt;Force Majeure&lt;/em&gt;, &lt;em&gt;Triangle of Sadness&lt;/em&gt;) as one of the great social satirists in contemporary cinema.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 18px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Aptos, sans-serif" style="font-size: 16px;"&gt;“An astonishingly smart film.”&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 18px; margin-top: 0px !important; margin-bottom: 0px;"&gt;&lt;font color="#000000" face="Aptos, sans-serif" style="font-size: 16px;"&gt;THE TIMES (UK)&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 18px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Aptos, sans-serif" style="font-size: 16px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 18px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Aptos, sans-serif" style="font-size: 16px;"&gt;“A darkly humorous and horrific mirror to our culture.”&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 18px; margin-top: 0px !important; margin-bottom: 0px;"&gt;&lt;font color="#000000" face="Aptos, sans-serif" style="font-size: 16px;"&gt;AUSTIN CHRONICLE&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 18px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Aptos, sans-serif" style="font-size: 16px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 18px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Aptos, sans-serif" style="font-size: 16px;"&gt;“Laugh-out-loud funny.”&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 18px; margin-top: 0px !important; margin-bottom: 0px;"&gt;&lt;font color="#000000" face="Aptos, sans-serif" style="font-size: 16px;"&gt;TORONTO STAR&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 18px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Aptos, sans-serif" style="font-size: 16px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 18px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Aptos, sans-serif" style="font-size: 16px;"&gt;“Social satire by way of art-world comedy, and no woke participant is exempt from its barbs.”&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 18px; margin-top: 0px !important; margin-bottom: 0px;"&gt;&lt;font color="#000000" face="Aptos, sans-serif" style="font-size: 16px;"&gt;VOX&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 18px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Aptos, sans-serif" style="font-size: 16px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 18px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Aptos, sans-serif" style="font-size: 16px;"&gt;“A potent, disturbing work that explores the boundaries of political correctness, artistic liberty and free speech in provocative ways.”&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 18px; margin-top: 0px !important; margin-bottom: 0px;"&gt;&lt;font color="#000000" face="Aptos, sans-serif" style="font-size: 16px;"&gt;THE HOLLYWOOD REPORTER&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 18px; margin-top: 0px !important; margin-bottom: 0px;"&gt;&lt;font color="#000000" face="Aptos, sans-serif" style="font-size: 16px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 18px; margin-top: 0px !important;"&gt;&lt;font color="#000000" face="Aptos, sans-serif" style="font-size: 14px;"&gt;In Swedish with English subtitles&lt;/font&gt;&lt;/p&gt;

&lt;p style="margin: 0in 0in 8pt; line-height: 18.4px; font-size: 12pt; font-family: Aptos, sans-serif; color: rgb(0, 0, 0);"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://www.youtube.com/watch?v=EUzRjRv0Ib0" target="_blank"&gt;&lt;strong&gt;Trailer&lt;/strong&gt;&lt;/a&gt;&lt;br&gt;&lt;/span&gt;&lt;/p&gt;</description>
      <link>https://thequeensfilmsociety.org/event-6729241</link>
      <guid>https://thequeensfilmsociety.org/event-6729241</guid>
      <dc:creator />
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