The Queens Film Society

Greetings Cinephiles!

As you all know, March is Women's History Month and we will be asking for all of your pitches next week to be about movies made by Women. In an effort to try to encourage you to explore movies before our meetings, we are including a list of possibilities. You do not need to pick a movie from the list. We simply offer it up as a reminder of what is out there. We are excited to hear what movies you have in mind for March. Have a great week and look out for another email early next week!

• 35 Shots of Rum (Claire Denis, 2008)
• Adoption (Márta Mészáros, 1975)
• Adventures of Prince Achmed, The (Lotte Reiniger, 1926)
• After the Wedding (Susanne Bier, 2016)
• American Honey (Andrea Arnold, 2016)
• Angel at My Table, An (Jane Campion, 1990)
• Antonia’s Line (Marleen Gorris, 1995)
• Apple, The (Samira Makhmalbaf, 1998)
• Appropriate Behavior (Desiree Akhavan, 2014)
• Ascent, The (Larisa Shepitko, 1977)
• Asthenic Syndrome, The (Kira Muratova, 1990)
• Beaches of Agnès, The (Agnès Varda, 2008)
• Beau Travail (Claire Denis, 1999)
• Big (Penny Marshall, 1988)
• Bonheur, Le (Agnès Varda, 1965)
• Breadwinner, The (Nora Twomey, 2017)
• Breathe (Melanie Laurent 2014)
• Bright Star (Jane Campion, 2009)
• Capernaum (Nadine Labaki, 2018)
• Certain Women (Kelly Reichardt, 2016)
• Chocolat (Claire Denis, 1988)
• Cléo from 5 to 7 (Agnès Varda, 1977)
• Clueless (Amy Heckerling, 1995)
• Connection, The (Shirley Clarke, 1961)
• Crossing Delancey (Joan Micklin Silver, 1988)
• Daisies (Vera Chytilova, 1966)
• Dance, Girl, Dance (Dorothy Arzner, 1940)
• Daughters of the Dust (Julie Dash, 1991)
• Day I Became a Woman, The (Marzieh Makhamalbaf, 2000)
• Desert Hearts (Donna Deitch, 1985)
• Desperately Seeking Susan (Susan Seidelman, 1985)
• Enough Said (Nicole Holofcener, 2013)
• Europa Europa (Agnieszka Holland, 1990)
• Eve’s Bayou (Kasi Lemmons, 1997)
• Fat Girl (Catherine Breillat, 2001)
• Fish Tank (Andrea Arnold, 2009)
• Gas Food Lodging (Allison Anders, 1992)
• Girl Walks Home Alone at Night (Ana Lily Amirpour, 2014)
• Girlfriends (Claudia Weill, 1978)
• Girlhood (Céline Sciamma, 2011)
• Happy as Lazzaro (Alice Rohrwacher, 2018)
• Harlan County USA (Barbara Kopple, 1976)
• Headless Woman, The (Lucrecia Martel, 2008)
• High Art (Lisa Cholodenko, 1998)
• Hitch-hiker, The (Ida Lupino, 1953)
• House is Black, The (Forugh Farrokhzad, 1963)
• I am Not a Witch (Rungano Nyoni, 2018)
• India Song (Marguerite Duras, 1975)
• League of Their Own, A (Penny Marshall, 1992)
• Leave No Trace (Debra Granik, 2018)
• Long Farewell, The (Kira Muratova, 1971)
• Lost in Translation (Sofia Coppola, 2003)
• Love and Anarchy (Lina Wertmüller, 1973)
• Love & Basketball (Gina Prince-Bythewood, 2000)
• Loving Couples (Mia Zetterling, 1964)
• Marianne & Juliane (Margarethe von Trotta, 1981)
• Marie Antoinette (Sofia Coppola, 2006)
• Meek’s Cutoff (Kelly Reichardt, 2010)
• Mikey and Nicky (Elaine May, 1976)
• Monsoon Wedding (Mira Nair, 2001)
• Monster (Patty Jenkins, 2003)
• Morvern Callar (Lynne Ramsey, 2002)
• My Brilliant Career (Gillian Armstrong, 1979)
• Near Dark (Kathryn Bigelow, 1987)
• New Leaf, A (Elaine May, 1971)
• News from Home (Chantal Akerman, 1977)
• No Home Movie (Chantal Akerman, 2015)
• On Body and Soul (Ildikó Enyedi, 2017)
• One Sings, the Other Doesn’t (Agnès Varda, 1977)